I’m in Akihabara, the heart of Japanese otaku culture. Manga. Anime. Cosplays. Maid cafés. Arcades. Love hotels.
Tall and gray, a seven-floor building looms over the street. In Japan, they don’t hide what happens inside.
A sign outside says: 60 minutes, 1100 yen. I’m here to find the real price of escape.
A voice at the front desk explains the rules. I never see his face, just his hands. He shows me a menu. I have no clue what I’m picking, but why not? I’m already way past my comfort zone.
I pick a red cylinder from the brand Tenga. It looks like a small tube of Pringles.
He gives me a plastic bag with virtual reality goggles, headphones, wet wipes, a condom and my toy. Nods me to the elevator, 5th floor.
A long, narrow hallway with doors on both sides. It feels like walking through an empty train car.
505, first room on the right. It’s a worn-out closet with yellowed walls, all function, no beauty. Not that anybody here minds. A place built for people who’ve stopped caring what the world looks like.
A leather chair and a huge TV. Tissues on my left, trash bin on my right. I set the alarm for 50 minutes. I don’t want to be charged overtime.
I sit and adjust the VR headset. The bag has three-step instructions in English. Hold the power button for three seconds. Use the touch panel on the right to navigate. Press the back button on the left to return. I slide it on.
Reality fades.
Four glowing options appear, all in Japanese. The one on the right is the only I understand: +18. I tap and a mosaic of Japanese women floods my eyes. I pick the first one.
Now I’m in an apartment. Warm light, cozy furniture, me sitting on the couch. In front of me, a woman seems happy to see me. Like she’s been waiting for me forever.
Her legs part on the couch, black skirt sliding up her smooth thighs, teasing me slow. Her white blouse loose, hinting at her chest, feels good, too good already.
She speaks softly. Her voice soothes with a quiet laugh behind her hand, sweet and pulling. Murmurs Japanese that I don’t catch, but I don’t need to. She calls me Sensei.
She heads to the kitchen, cooks. Under the tight office skirt, a small but firm ass swaying my way. Is this a secretary fantasy?
She is not a porn star, just a woman I want. She has real curves. The only illusion here is everything.
This is nothing like the porn I’ve seen. More than pleasure inside a closet, it’s a love story written for the broken hearts.
She brings two beers from the fridge but can’t open hers, so she hands it to me. I pop it open, the strong man she needs. She sits close, talking, panties peeking out. Things are heating up. Kneels on the floor, big eyes locked on me. She pulls my pants down, and kisses me over my underwear.
I’m horny but also confused. The illusion loses its grip when I look down. My dick is pixelated into skin-colored blocks. Not a glitch, just Japanese censorship laws. My digital girlfriend is almost real, but my cock looks straight out of Minecraft.
We keep going.
She’s on her knees now, hips high, face pressed against the floor. Her back arches, yielding to her Sensei.
A soft plea in her voice. A perfect display of submission, her body shaking violently under mine. She knows how to pull my trigger. I’m lost in it, dominant and overly aroused.
I pass the point of no return.
The Tenga isn’t a toy but a pleasure glove. A science fiction pussy for the lonely man. A metaphor for contemporary love. Standardized, hygienic, sterile. No smell, no warmth, no skin. Just you, your hand, and the exact pleasure you want. And when you’re done, you throw it away. Like everything in modern life.
The simulation keeps rolling as I sink into the void. My mind shuts down.
A minute ago, she purred Sensei, a world crafted to crave me. Now it’s just me, a closet, and a clock that suddenly ticks too loud.
Where am I? What the fuck happened?
I wipe myself clean. My brain slowly starts to function again. Twenty minutes remain.
I go back into fantasy land.
She’s still on me, but I’m done for now. Refractory break hits. I’m an unloaded gun.
I jump to the next scene, same living room. She sits to my right while we play cards and talk. She laughs excessively at all my jokes and grabs me by the hand. She leans in close, our faces next to each other. She kisses me long.
Headset stays on but my thoughts start to drift apart. If anything, it reminds me that I’m alone in a closet. A kiss should be more than lust. This is too much, I want to get out. This isn’t pornography, it’s loneliness weaponized.
This experience is eye-opening. No friction, no rejection, no effort. It’s more dangerous than any other drug.
Suddenly, magic dissolves. A floating pop-up announces “Connection broken.”
I rip the headset off, reality stabs. Tiny space, just me, self-disgust, and a trash bin full of used tissues.
No lust left, just a cold void where pleasure used to be. I feel like a fool.
I step outside. Tokyo’s neon lights burn bright. I buy an after-sex chocolate at the nearest 7/11. I sit on a bench, letting the fresh air clear my head.
I’m overwhelmed by questions. What happens when this technology gets better? When AI generates not just porn, but entire realities? When every fantasy is personalized, immersive, limitless?
How far are we from the Matrix? A cable to the brain and reality bent to our desires.
Technology won’t stop. It never has, and it never will. It only gets better. More seductive, more addictive, more real than reality itself.
My biggest concern is what happens when we choose VR over humans. Why face rejection or awkward misunderstandings when an AI lover never leaves, never complains, never rejects? Always in the mood, always available, always Sensei.
The genie is out of the bottle, and there’s no putting it back. What are we going to do about it?
Is the future just the past but with better technology? Or is this time actually different?
The most primal reaction to new technology is Luddism: destroy what we don’t understand, call it the end of the world.
When photography showed up, painters feared cameras would kill their craft. But instead of disappearing, they adapted. Portraits were no longer business, so they pushed their art beyond realism capturing what a lens couldn’t see.
What if we manage to harness this incredible power for the good?
I picture a couple sitting together on a couch, fingers intertwined, headsets on. Each indulging into their own VR fantasies. He is surrounded by a harem of Scarlett Johanssons. She is tied to Christian Grey’s bed but he’s played by Brad Pitt from Legends of the Fall. When the headset comes off they laugh. They talk. They touch. They make love.
The real world still matters. This is just the cherry on top.
But not for everyone. Some people will drown in VR’s oblivion chasing pleasure in a simulation that never pushes back.
Others will reject it entirely. The nostalgic clinging to an idealized past where love was messy, unpredictable, real.
The rest will use it lightly like a casual drug. Having fun but never mistaking it for the real thing. Not everyone who drinks is an alcoholic. Not everyone who uses VR will lose themselves in it.
Maybe that’s the way to see it. This: AI, VR, simulated realities, are yet another drug.
The Rat Park experiment showed it in the 70s. A lone rat in a bare cage drank morphine until it died from overdose. But in a lively space full of other rats, tunnels, food and fun, most sipped sparingly, never overdoing it.
We are no different from Mickey Mouse. The drug is never the issue. The environment is.
What waits for you outside when the battery dies? A life worth living, or a reality so sad and empty that you only want to come back?
I like to explore, to see for myself, to push my boundaries. I’ve done drugs, experienced VR porn in Japan, and I’ll try whatever comes next.
I’ll enjoy it, I’m not scared. Because I built a life I don’t need to escape from.
I walked out of the VR Porn room feeling what I already knew, that technology will never replace the warmth of the real world.
Red pill, blue pill, no pill.
The choice is yours, I already made mine.